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The Peanut Vendor - Louis Armstrong And His Orchestra - The Peanut Vendor / Youre Lucky To Me (Shellac)

8 thoughts on “ The Peanut Vendor - Louis Armstrong And His Orchestra - The Peanut Vendor / Youre Lucky To Me (Shellac)

  1. The earliest of the many Parlophone 78 RPM "Rhythm style" series, running from number 1 to , between catalog numbers R and R , when it was .
  2. The Peanut Vendor This song is by Louis Armstrong and appears on the EP Shine () by Louis Armstrong With Les Hites' Orchestra. The following lyrics have portions which are unknown or missing. If you know the missing portions, please fill them in and remove the { {partial}} template.
  3. Jack Payne And His B.B.C. Dance Orchestra* The Peanut Vendor (as Sunshine) Jack Payne And His B.B.C. Dance Orchestra* - When Kentucky Bids The World Good Morning / The Peanut Vendor ‎ (Shellac, 10") Columbia: CB UK: Sell This Version.
  4. The fifth title in the German History label's CD box set Louis Armstrong, Dear Old Southland picks up the complete recordings of Louis Armstrong as a leader during a February 1, , session and follows his recorded output for over 13 months, a period when he fronted big bands led by Luis Russell, Willie Lynch, Leon Elkins, and Les Hite, but called either Louis Armstrong and His Orchestra.
  5. Label: Parlophone - R • Series: New Rhythm Style Series - No. 61,New Rhythm Style Series - No. 62 • Format: Shellac 10 Louis Armstrong And His Orchestra - The Peanut Vendor / You're Lucky To Me (Shellac) | Discogs.
  6. Jan 01,  · The Peanut Vendor, a song by Louis Armstrong Orchestra on Spotify We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics prizansubvetajosaparkticlenanta.xyzinfo Duration: 3 min.
  7. Sep 15,  · After “Ding Dong Daddy” in June and “You’re Driving Me Crazy” in August, it landed on “The Peanut Vendor,” a song recorded the same day as “You’re Driving Me Crazy.” That session also led off with one of Armstrong’s most unbeatable recordings, “Sweethearts on Parade,” making it possible for some to have either forgotten or denigrated Armstrong’s other offerings of that day.

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